Three Graces

June 12, 2019  •  Leave a Comment

Three Graces

After my original Three Fates shoot, I desperately wanted to make the Three Graces as perfect and beautiful as possible. I had many changes that I wanted to make for this shoot, and although I did many of them, not all were completed and I felt as though it showed in the photos. Honestly, I was pleased with the photos through a fine art perspective, but it did not come out the way I had originally imagined. It wasn’t perfect, but I am a die core perfectionist so I highly doubt anything would be perfect to me. grace1smnologograce1smnologo


 My model for this shoot was Bethany McMahon. Although this is my first time working with her directly, I have actually known her for years and have seen her working firsthand in both fashion shows and photography. I could not think of a better model for this shoot as I needed someone that could act as well as look pretty for the camera. Some of the embodiments of the goddesses needed to be young and innocent, while the others needed sneaky and arrogant personalities. Beth is one of the few models I knew would be able to pull this incredibly tough job off….and she did it in spades!


The original concept for this shoot was the three Graces (also known as Charites) from Greek mythology. They were three minor goddesses that usually hung around Venus/Aphrodite (Goddess of Love/Beauty) and represented charm, beauty, and creativity. They have been painted/sculpted many times by master artists like Botticelli, Raphael, Antonio Canova, and many others, and are usually viewed as blessings for a wedded couple. 

When I created the concept for the shoot, I really wanted to evoke a similar idea to the goddess Hecate where she represents the maiden, mother, and crone in one form. I would make the three of them into different attributes of a woman. To further this concept, I chose to use one model to represent the three as if they were triplets. 

fates graces small-5fates graces small-5 I was also doing this photo concept directly after a different shoot called the Three Fates. When I shot the Fates, I purposely used the same model as the Graces because I wanted to have a chiaroscuro (dark and light) feel to the entire thing. I envisioned them sitting side by side at a gallery event: one in white and one in black, contradicting each other with a beautiful allure. The Fates were photographed in black fabric with a black background while the Graces were photographed in white fabric using a white background. I wanted to embody light, purity, and simplicity in these photos and give them a ‘clean’ feeling. I also wanted the Three Graces facing each other as if they were going to dance because they are usually dancing or embracing in most depictions of them.


Originally, I thought of using the beach for the shoot on a cloudy day, but I wanted to practice using floating lights so my studio at home was the best idea. The Three Fates shoot was done in the studio so Three Graces needed to mirror the original shoot. It also made since to choose a location where I could easily place the model (Beth) in three different spots easily while controlling the elements.

Settings and Angles

The camera was placed on a tripod and I set the ISO/aperture/shutter manually so that the settings would remain the same for each set of photos. Beth stood in the center of the room and I had the white background a few feet behind her. The photos were shot straight on and we changed her clothing/hair/position for the two other Graces and then took the photo again.

Props and Clothing fates graces sullen-1_pe1smallnologofates graces sullen-1_pe1smallnologo

There really was no costumes made for this shoot. Beth wore a simple piece of fabric that was draped in different ways on her body. The necklace was something old that I’ve had around the house for years and the crown was a piece of metal trim that I found and bent into a circle. I did have a crown in mind for this shoot, but I was not able to locate it. Also, at the beginning of the shoot, Beth wore a beautiful nose ring that had a thin chain that attached to her ear. We ended up taking it off because it looked like a stray hair in the final photos.


When it came to editing, the three photos were merged into one using photoshop and as steady of a hand as possible. I really did not do much for editing other than nudging an upper arm here and there, and chaging a frown into a smirk. For several of the fine art pieces, I used textured layers and Smart Photo Editor.

Learning for the Future

If I had a third shot on this shoot, I would have done it at night with a single light for the scene to make the shadows darker. Although it was smart to do the dark photos in daylight so that I would have little to no noise in my photos, the drama in the photo was decreased in the process. For the lighter Grace shots, I had a happy accident and overexposed my first four shots. The results were actually some of my favorite photos and I may repeat it in the future as I loved the high key angelic appearance of Beth in these photos. The photos that were the correct exposure were nice as well, but they didn’t hold the same kind of ethereal magic in them.


Three Fates

June 10, 2019  •  2 Comments

Three Fates

After several months off due to surgery and the business of family, friends, work, and other related events, I finally got back on the wagon and decided to do creative shoots again. The first one I wanted to do was one I did not think would be too difficult. Boy, was I wrong!

The Understanding of the Three Fates fates sm-1fates sm-1

The photoshoot was titled the Three Fates (also known as the Moirai). It revolved around the Grecian myths about Clothos, Lachesis, and Atropos, the three goddesses that were in charge of human mortality. Clothos spun the thread, Lachesis held it, and Atropos was in charge of cutting it.

Although many of us remember the three Fates from Disney’s Hercules movie as old crones that shared one eye, I decided that I wanted to make them younger appearing, and far more beautiful. Many quotes have included saying things like death is a seductress in the night and I wanted to embody that concept within the photo. I also wanted it to be one model that would be used to photograph all three, similar to the concept of the Greek goddess Hecate (maiden, mother, and crone) or the characteristics of one individual. I liked the idea, since the three Fates are always seen together and rarely anything else, that they could be triplets clouded in darkness.

The Concept and Shoot

Being that it was my first shoot in a while, it took a long time to prep and I didn’t do it the way I liked. I wanted to dangle a lightbulb in the photo as if it was a soul and have the three Fates be back to back in the photo like a reflection or triangle. Unfortunately, I noticed that putting the light bulb in the picture changed the lighting in the photo and exposure. I turned the lightbulb off and on for different poses and this also messed with the exposure. I plan to try this photo again and when I do, I will take the picture once and mimic the same settings in manual mode. I would also like to set up my tethering to the computer so that I can see my photos in a bigger picture (the braided Fate in the photo was slightly blurred due to me throwing on a light during the shoot).

3 fatesIMG_8276-Edit_pesm3 fatesIMG_8276-Edit_pesm I also plan to try a prime lens and a zoom lens for the shot. I could try to decide on directional light (soft) but I should probably practice that beforehand. I do like the way the light bulb illuminates the characters but wouldn't mind putting a small light near the bottom of the photo and darkening the background a bit so that it is easier to dodge and burn later on. I can also keep the light in one spot, regardless of which character is there, and see if there is more blue added to them.

I want to also see about dangling the light in a few areas so that there is more than one light in the photos (like souls surrounding them). The nose chain was pretty, but it was lost in the photo later on so it should probably be ditched. I also need to make sure none of the dresses have sleeves that could cover up another arm in the photo. I could also spray paint the scissors and make the thread thicker and more noticeable. It did come out as a decent photo, but I am convinced that I can do better...and I want to do better. This is about pushing myself to be the best, even if I have to repeat myself and fix my mistakes in the process. 

I have already talked to Bethany (the model for the shoot) and she has agreed to come back and redo the shoot. I hope to prep the shot beforehand so that it is quick and easy to get it all in. I think one of my major problems during the last shoot was that I was lazy and didn’t prep beforehand so instead of focusing on the shoot, I was running around grabbing pieces instead.

What to do for next time:

Preset up everything * fix background (make it wider and get a white one as well) * try using grey as one of the backgrounds and add clouds * link computer to camera (aka tether) * have her hold light inside of dangling it or tape it to a low stand * take all photos in manual mode

The Three Graces (my next shoot to work on) should be easier because I can flood the room with light and use that to my advantage. Regardless if I use all white or a sky background, the background for the photo will be white.

In my quest to understand what makes the best picture, I have placed two photos from this shoot with completely different edits. The one on the left has a natural edit in photo style whereas the one on the right was geared to appear more like a comic book or graphic novel. Please let me know which one you think is better in the comments below.

3fates - 2_pe1sm3fates - 2_pe1sm 3fates-shadows_pe-dragon noise controlsm3fates-shadows_pe-dragon noise controlsm

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